"The often-confusing battle-scenes at Corioli are brilliantly done through a simple deployment of chairs, ladders and descending fireballs. And, when the arrogant warrior-hero reluctantly stands for the consulship, we see the citizens marking red ballot slips which are later torn to shreds as the verdict is revoked.

All this shows the world of the play being suggested with inventive economy..”

Michael Billington, The Guardian


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